As you read the reviews on Bookshop Talk, you'll notice that every review is positive.No, we're not a bunch of literary pushovers who love everything we pick up; we just see no point in telling you about a book if we didn't like it.
Jessica Day George - Young Adult & Middle Grade Author
Amy Finnegan - Young Adult Author
Kim Thacker - Writer and Mommy
January 18, 2012
THE SCORPIO RACES by Maggie Stiefvater, 2011
It happens at the start of every November: the Scorpio Races. Riders attempt to keep hold of their water horses long enough to make it to the finish line. Some riders live. Others die. At age nineteen, Sean Kendrick is the returning champion. He is a young man of few words, and if he has any fears, he keeps them buried deep, where no one else can see them. Puck Connolly is different. She never meant to ride in the Scorpio Races. But fate hasn’t given her much of a chance. So she enters the competition — the first girl ever to do so. She is in no way prepared for what is going to happen. (Goodreads)
Reviewed by Kim Harris Thacker, writer, mommy, and Bookshop Talk host
THE SCORPIO RACES is my new favorite book. The End.
Okay, not really. I have loads to say about this amazing, thrilling, perfect (yes, I just wrote perfect) book. But I’m having a heck of a time figuring out how I want to say it. I’ve had ideas for this review rattling around inside my skull for weeks–ever since I started the book (I’ll explain why it took me so long to read it, I promise)–but everything I write seems trite and silly…perhaps because THE SCORPIO RACES was so stinkin’ awesome. And perfect.
First of all, the “water horses” spoken of in the Goodreads synopsis above (which is the same as that which is found on the book's jacket-flap) aren’t the dinosaur-like creatures of the Loch Ness variety, nor are they wee seahorses. They are horses, but more. They are deadly, bloodthirsty capaill uisce (pronounced capple ishka), many of which leave their briny homes to set hoof on Thisby island every November. The details of the capaill uisce’s underwater survival–and whether or not they become sea serpents or a cross between sea serpents and horses or something like that when they’re not on land–is left to the reader’s imagination, which I appreciated. While the water horses certainly look like horses on land, there is something too wild and somewhat slithery about them, too.
About Puck, who is one of the two point-of-view characters (the other is Sean): I rooted so hard for her, and not just during the actual Scorpio Races. She is courageous, but at the same time, she’s scared to pieces. She's scared of running out of food, scared of riding in the Scorpio Races, scared of capaill uisce, scared of Sean Kendrick (until she wants to kiss him--he is utterly swoon-worthy, in a wears-the-same-dirty-barn-coat-every-day-and-never-smiles kind of way), scared of what will happen to her and her little brother, Finn, when their older brother, Gabe, leaves them alone on the island while he works on the mainland (they’re orphans)....She’s such a complex character! One thing I loved about her was how much she loves Thisby. I love my hometown in the same way she loves hers–flaws and all–and I really related to her. I also related to her because of her relationship to her brothers. I have only one brother, while Puck has two, but that complex sibling bond was so well-portrayed.
More about the characters: Each character in this book, no matter how minor a part he/she plays, has a story of his/her own. And that’s the way it should be. Every person we encounter throughout any given day has a story. The way people talk, the things they say (and don’t say)–it’s all a part of who they are. In too many books, minor characters function only as placeholders. Not in THE SCORPIO WARS. From quiet Finn and broken Gabe to Peg Gratton, the wife of the Skarmouth butcher (whom every man on Thisby loves because she could “cut [his] heart out neat”), every character is alive and an essential part of the story. The island just wouldn’t be the same without their rich personalities and backstories. Don’t get me wrong–Stiefvater doesn’t spend a lot of time on the backstories of characters who aren’t front-and-center…it’s just that every single word in this book means something, and if a man requests “butter, milk, and salt” when a woman asks him if he would like sugar or milk in his tea, you know there’s meaning behind it.
One more thing about characters: The animals are characters, too. And they’re every bit as multifaceted as the human characters. While I was tempted to see them as the villains in the story, they’re not. They may be bloodthirsty, but they’re not half as bloodthirsty as the real villain. He’s a bad, bad man.
Now let’s talk about the setting: I was certain that I would be able to open my atlas and find tiny Thisby island somewhere off the western coast of Scotland…or maybe, if that wasn’t right, I would find it east of Ireland. But it’s a fantasy location! Coulda fooled me. This book, while certainly a fantasy novel, reads more like historical fiction with a bit of fantasy tossed in. Though I couldn’t tell you for sure when, in history, it takes place. Maybe 1930, maybe 1950. Because the location was a remote island, I figured they were a little “backward,” just as my hometown was–and still is, in many ways–a little behind the times. So that made it hard to pinpoint a date for this story. Can I tell you, I loved the fact that I wasn’t sure where Thisby was or when the story was taking place? It gave it a real timeless quality.
Speaking of “timelessness,” did I mention that I think this will become a classic in young adult literature? Because I think it will. I think it will earn crazy amounts of awards. It has already received such high praise, including starred reviews from Kirkus, Horn Book, Publishers Weekly, Booklist, and the School Library Journal. My favorite review was from The New York Times:
[Stiefvater] not only steps out of the young adult fantasy box with “The Scorpio Races” but crushes it with pounding hooves. . . . If “The Scorpio Races” sounds like nothing you’ve ever read, that’s because it is.
Click here to read more of these rave reviews, and to read about Stiefvater’s experience with writing THE SCORPIO RACES. There’s also a terrific book trailer, created by Stiefvater, who is a musician and an artist, to boot!
Finally, let me just explain why it took me such a long time to read this book, since I said at the beginning of this review that I would do that: I first became excited to read THE SCORPIO RACES back when a friend told me about it. I hadn’t read Stiefvater’s popular Wolves of Mercy Falls series–I’m not usually interested in paranormal romance–but this book…this book about water horses…sounded good! So I asked my husband to buy me a copy for Christmas. And then people started blogging like mad about THE SCORPIO RACES, and I hadn’t read it yet, and it took all my willpower not to dig through the bedroom closet, looking for my present. And then Christmas morning finally came, and I got my book. Hooray!
I started reading it a few days after Christmas (after my husband had gone back to work)…and I knew it was going to be one of those reading experiences that doesn’t happen very often. Like, maybe a handful of times in a person’s life. In other words, I knew this was going to be crazy-good. So I decided to take it veeeeeeeery sloooooooowly. I wanted the story to last and last! But finally, after two weeks of slow reading, sprinkled with lots of pit-stops for tea and chocolate, I finished. And the ending was so perfect that I sobbed and sobbed. It rocked.
Let me offer proof, in the form of the first line of the book:
It is the first day of November and so, today, someone will die.
Go out and buy a copy of this amazing book, friends! You won’t be sorry!
Market: Young Adult, Fantasy
Language: moderate (a few swear words and a crude reference or two to characters' sexual activity)
Sensuality: moderate (moderate in that sexual activity is talked about by a few characters, but absolutely nothing happens "on stage"--except for some much-required kissing, though it's very sweet)
Violence: moderate to explicit (quite bloody and intense)
Adult themes: poverty, class distinction, violence, women's rights, family relationships, death of family members