It was only meant to be a
brief detour. But then Lauren finds herself trapped in a town called
Lost on the edge of a desert, filled with things abandoned, broken and
thrown away. And when she tries to escape, impassable dust storms and
something unexplainable lead her back to Lost again and again. The
residents she meets there tell her she's going to have to figure out
just what she's missing--and what she's running from--before she can
leave. So now Lauren's on a new search for a purpose and a destiny. And
maybe, just maybe, she'll be found... (Goodreads)
Reviewed by Valette M.
As far as heroines go, Lauren Chase is nothing special: no prophecy about her future, no strange powers since birth. And because of this, she is incredibly relatable. I fell in love with her as she struggles to come to terms with her new world and the mother she's losing. Her motivations ring true and she feels real, clever and sturdy, with no moping about but a matter-of-fact view on life. But, however fantastic she may be as the lead, the character that takes the cake for me is Peter (the Finder in Lost who rescues lost people from the death grip of the void). With cat-like grace and a somewhat mischievous streak to him, it's entrancing to read about him. I agree with Lauren completely when she describes him as a grown up Peter-Pan. He pops in and out of scenes perfectly representing what a man of that past would be, but does it so well that he sweeps all the stereotypes away and practically reaches the status of archetype. If he was the only good thing in the book, I would still gobble up the sequels. Thankfully the entire book is quite good.
It is a very rare author that can take a simple idea -- say, a place where all lost things go -- and flesh it out into such a thoroughly satisfying mix of thriller, romance, and self-discovery. Right from the beginning, Durst's delicious prose paints a disturbingly hypnotic view of a town that exists apart from time, where all lost things go. And all lost people. People who have lost their way in life do not make for a very stable citizenry. Feral dogs roam the streets in packs and bands of ragged scavenger children armed with knives comb through frequent junk piles in a world built on the barter system, all surrounded by a dust storm called the Void that sucks the hope from those that enter until they become nothing more than dust themselves. No one and nothing can leave Lost until they find whatever it is they have lost. But even then, the Missing Man is the only one who can send them home. He refuses to help Lauren, and disappears. Struggling to simply survive, Lauren is forced to face her own despair head on to discover what she's lost. And the Void creeps steadily closer. In this well-brewed tale the stakes never stop rising. THE LOST will rip your heart out and stomp on it every which way. Thank goodness it's the start of a series! And you'd better bet I'll be counting down the days until I can get my hands on the next one.
Sarah Beth Durst is very good at what she does. Her rich descriptions and hearty characters bring the story alive with such oomph it will leave you gasping. I tried, goodness knows how I tried, to read this book slowly, to savor every mesmerizing word, but it ended far too quickly. A strong start to a very promising series. Stunning. Transfixing. Captivating.
Market: Young Adult
Reviewed by Valette M.
As far as heroines go, Lauren Chase is nothing special: no prophecy about her future, no strange powers since birth. And because of this, she is incredibly relatable. I fell in love with her as she struggles to come to terms with her new world and the mother she's losing. Her motivations ring true and she feels real, clever and sturdy, with no moping about but a matter-of-fact view on life. But, however fantastic she may be as the lead, the character that takes the cake for me is Peter (the Finder in Lost who rescues lost people from the death grip of the void). With cat-like grace and a somewhat mischievous streak to him, it's entrancing to read about him. I agree with Lauren completely when she describes him as a grown up Peter-Pan. He pops in and out of scenes perfectly representing what a man of that past would be, but does it so well that he sweeps all the stereotypes away and practically reaches the status of archetype. If he was the only good thing in the book, I would still gobble up the sequels. Thankfully the entire book is quite good.
It is a very rare author that can take a simple idea -- say, a place where all lost things go -- and flesh it out into such a thoroughly satisfying mix of thriller, romance, and self-discovery. Right from the beginning, Durst's delicious prose paints a disturbingly hypnotic view of a town that exists apart from time, where all lost things go. And all lost people. People who have lost their way in life do not make for a very stable citizenry. Feral dogs roam the streets in packs and bands of ragged scavenger children armed with knives comb through frequent junk piles in a world built on the barter system, all surrounded by a dust storm called the Void that sucks the hope from those that enter until they become nothing more than dust themselves. No one and nothing can leave Lost until they find whatever it is they have lost. But even then, the Missing Man is the only one who can send them home. He refuses to help Lauren, and disappears. Struggling to simply survive, Lauren is forced to face her own despair head on to discover what she's lost. And the Void creeps steadily closer. In this well-brewed tale the stakes never stop rising. THE LOST will rip your heart out and stomp on it every which way. Thank goodness it's the start of a series! And you'd better bet I'll be counting down the days until I can get my hands on the next one.
Sarah Beth Durst is very good at what she does. Her rich descriptions and hearty characters bring the story alive with such oomph it will leave you gasping. I tried, goodness knows how I tried, to read this book slowly, to savor every mesmerizing word, but it ended far too quickly. A strong start to a very promising series. Stunning. Transfixing. Captivating.
Market: Young Adult
Language: Mild
Sensuality: Mild
Violence: Mild
Mature Themes: Death
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